INFOS D'ISRAEL 7

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Haifa
Mossad/b]

Il faudrait ajouter: Israel est pour les juifs,et celui qui n'est pas content n'a qu'à ramasser ses affaires et foutre le camp.

Israel est pour ses habitants : les israeliens.

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"Ne nous y trompons pas : ceux qui parlent de l'islamisation de la France sont guidés par la même obsession xénophobe que ceux qui dénonçaient la judaïsation de notre pays dans les années 1930. L'étranger, quel que soit son visage, reste responsable pour l'extrême droite des maux de notre -société." Richard Prasquier, Président du CRIF

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de thaey elie

Citation
Haifa
Mossad/b]

Il faudrait ajouter: Israel est pour les juifs,et celui qui n'est pas content n'a qu'à ramasser ses affaires et foutre le camp.[/quote
ha ha

tes amis l'ont fait

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Haifa
et celui qui n'est pas content n'a qu'à ramasser ses affaires et foutre le camp.

Jadis, Haifa m'a "interdit" l'entrée au Maroc, parceque j'avais écrit un post (contre Hassan II, le roi de Tazmamart) qui lui avait déplu.

Aujourd'hui, Haifa m'invite à "foutre le camp" d'Israel, parceque j'exerce mon droit démocratique de critiquer la politique du gouvernement actuel d'Israel.

Brrrrrr.....Rien que de penser qu'un jour Haifa et ses acolytes détiendront une parcelle de pouvoir exécutif, ça donne froid dans le dos.

Mais rassurons-nous. Les Révolutions de monde arabo-musulman sont en train de balayer tous les Haifa et leurs acolytes.

Dennis Prager on Israel.

BRAVO !!
TOUT EST DIT SIMPLEMENT ET C'EST LA PURE VERITE !!!!!!!!!!!!!!!!
.....

BONNE NOUVELLE (musicale) ISRAELO-MAROCAINE

Le 13ème concours international de piano Arthur Rubinstein a lieu actuellement à Tel-Aviv. Parmi les compétiteurs, un jeune Marocain, Marouane Benabdallah. Souhaitons lui bonne chance!

Pour les mélomanes, voici le site du concours:

[www.arims.org.il]
Pièces jointes:

Chomsky's Follies
The professor's pronouncements about Osama Bin Laden are stupid and ignorant.
By Christopher Hitchens
Posted Monday, May 9, 2011, at 2:36 PM ET

Noam ChomskyAnybody visiting the Middle East in the last decade has had the experience: meeting the hoarse and aggressive person who first denies that Osama Bin Laden was responsible for the destruction of the World Trade Center and then proceeds to describe the attack as a justified vengeance for decades of American imperialism


read the whole article:

[www.slate.com]

thanks Geek for letting us know this unknown Marouan Benabdallah.

[www.marouan.org]

hope he will stand out next monday, and go on the second stage among the 16 competitors

His biography of

As heir to the great Hungarian musical tradition, Marouan Benabdallah (son of a Hungarian musician mother and a Moroccan physicist father) embodies the new emerging generation of Hungarian pianists. He represents the cultural diversity and opening of Morocco, not to mention his attachment to France and its culture. His approach to music is marked by an intelligence and a reflexion both deeply inspired by the “Essay” from Carl Philipp Emmanuel Bach. “For me, Marouan explains, music is essentially lyrical. Singing is considered as a model for instrumental music. Indeed, the founding value of art resides in its capacity to create emotions and as the voice is the most “human” instrument, it reveals the most immediate expression of sensibility”.

His international career started in 2003 following his success both at the Hungarian Radio Piano Competition and at the Andorra Grand Prize. He was then invited to Germany, Austria, China, Spain, the United States, the United Kingdom, France and Italy among other countries. He gave performances in prestigious Halls like the “Salle Cortot” in Paris, the Noga Hilton Theatre in Cannes, Laeiszhalle in Hamburg, the Cleveland Play House, the Sundin Hall in Minneapolis, the Forbidden City Concert Hall in Beijing and the Oriental Art Centre in Shanghai. He has also performed in concertos with symphonic orchestras from Hungary, China, France, Italy, Romania and Morocco. However, Marouan enjoys the intimate atmosphere of smaller concert halls and private concerts as well. His repertoire leads him from Scarlatti to 20th century composers and although he experienced an early predilection for the works of Bartok and Rachmaninoff, he would perform works of Bach, Haydn, Schubert, Debussy or Ravel with the same passion. One notes his “profound musicality, his stunning technique and his unerring sense of rhythm and style”.

Marouan was born in Morocco in 1982; he enthused over the piano at the age of 3 and his Hungarian mother, a music teacher, gave him his first lessons when he was 4. At the age of 13, he left Morocco and went to Hungary to carry on his musical studies. He was admitted to the Bela Bartok Conservatory in Budapest. However, Marouan has always felt he was a musician before perceiving himself as a pianist. Understanding how music functions is a vital need for him, which explains why he first studied the theory of music, the analysis and counterpoint. He also started training as a conductor while studying the piano with Gabor ECKHARDT. He then studied for five years in the prestigious Franz Liszt Academy with Sandor FALVAI and Kalman DRAFI. He was awarded his diploma in 2007 following a triumphal concert in the packed concert hall of the Liszt Academy where he performed the Rachmaninoff piano concerto No.3. His regular meetings with the “legendary” Ferenc RADOS (previous teacher of Kocsis, Schiff and Ranki) proved decisive for his musical approach.

Marouan Benabdallah has been granted a scholarship by the French government since 2008 and he lives in Budapest and Paris. He enjoys the advice of Mr. Marian Rybicki at the Ecole Normale de Musique Alfred Cortot in Paris.

Citation
to-be-free
thanks Geek for letting us know this unknown Marouan Benabdallah.

[www.marouan.org]

hope he will stand out next monday, and go on the second stage among the 16 competitors

His biography of

As heir to the great Hungarian musical tradition, Marouan Benabdallah (son of a Hungarian musician mother and a Moroccan physicist father) embodies the new emerging generation of Hungarian pianists. He represents the cultural diversity and opening of Morocco, not to mention his attachment to France and its culture. His approach to music is marked by an intelligence and a reflexion both deeply inspired by the “Essay” from Carl Philipp Emmanuel Bach. “For me, Marouan explains, music is essentially lyrical. Singing is considered as a model for instrumental music. Indeed, the founding value of art resides in its capacity to create emotions and as the voice is the most “human” instrument, it reveals the most immediate expression of sensibility”.

His international career started in 2003 following his success both at the Hungarian Radio Piano Competition and at the Andorra Grand Prize. He was then invited to Germany, Austria, China, Spain, the United States, the United Kingdom, France and Italy among other countries. He gave performances in prestigious Halls like the “Salle Cortot” in Paris, the Noga Hilton Theatre in Cannes, Laeiszhalle in Hamburg, the Cleveland Play House, the Sundin Hall in Minneapolis, the Forbidden City Concert Hall in Beijing and the Oriental Art Centre in Shanghai. He has also performed in concertos with symphonic orchestras from Hungary, China, France, Italy, Romania and Morocco. However, Marouan enjoys the intimate atmosphere of smaller concert halls and private concerts as well. His repertoire leads him from Scarlatti to 20th century composers and although he experienced an early predilection for the works of Bartok and Rachmaninoff, he would perform works of Bach, Haydn, Schubert, Debussy or Ravel with the same passion. One notes his “profound musicality, his stunning technique and his unerring sense of rhythm and style”.

Marouan was born in Morocco in 1982; he enthused over the piano at the age of 3 and his Hungarian mother, a music teacher, gave him his first lessons when he was 4. At the age of 13, he left Morocco and went to Hungary to carry on his musical studies. He was admitted to the Bela Bartok Conservatory in Budapest. However, Marouan has always felt he was a musician before perceiving himself as a pianist. Understanding how music functions is a vital need for him, which explains why he first studied the theory of music, the analysis and counterpoint. He also started training as a conductor while studying the piano with Gabor ECKHARDT. He then studied for five years in the prestigious Franz Liszt Academy with Sandor FALVAI and Kalman DRAFI. He was awarded his diploma in 2007 following a triumphal concert in the packed concert hall of the Liszt Academy where he performed the Rachmaninoff piano concerto No.3. His regular meetings with the “legendary” Ferenc RADOS (previous teacher of Kocsis, Schiff and Ranki) proved decisive for his musical approach.

Marouan Benabdallah has been granted a scholarship by the French government since 2008 and he lives in Budapest and Paris. He enjoys the advice of Mr. Marian Rybicki at the Ecole Normale de Musique Alfred Cortot in Paris.

" Hta lhlaïkia o malin lhnach dial Jamaâ-el-Fna dial Mrrakch kayhdro mzian bnglizia.Hta hadok chouafat"

Tous les conteurs et charmeurs de serpents de la place Jamaâ-el-Fna à Marrakech parlent admirablement la langue anglaise. Même ces vieilles cartomancières de la place.

Pour Haifa. Je te conseille de t'inscrire a un cours d'anglais, si tu fais tant de complexes

Comparer To-be-free aux "chouaffat" de Jam3e-el-Fna, c'est un peu te comparer, toi-meme, a un..."merda"

A noter que je suis tres souvent en desaccord avec To-be-free.

Je vais donner mon petit avis sur le parcours de musicien classique ce jeune homme Marouan, à qui je souhaite une grande carrière !!
un avis qui ne va pas plaire..... il est Marocain parce que né au Maroc, d'un père Marocain, c'est la loi! ok

mais..............ce don de la musique classique, lui vient d'où ? un mère hongroise, professeur de musique.

Geek, sort la liste des dîplomés du Conservatoire de Casablanca, les premiers prix de toutes les disciplines, violon, alto, piano, déclamation et danse, de cette année et des annees précédentes. Avoue quand même que c'est un jeune marocain assez exceptionnel.

d'où, être vient de la mère, et non du père.

Lison

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Geek
Pour Haifa. Je te conseille de t'inscrire a un cours d'anglais, si tu fais tant de complexes

Comparer To-be-free aux "chouaffat" de Jam3e-el-Fna, c'est un peu te comparer, toi-meme, a un..."merda"

A noter que je suis tres souvent en desaccord avec To-be-free.

Geek.

Non mon ami! Je ne suis pas du tout complexé. Je m'en sors plutôt bien en langue anglaise.

C'est plutôt to-be-free qui a tant de complexes. Il se plaît toujours à contredire tous les membres du forum,à poster la plupart du temps n'importe quoi,et le complexe le plus grave(c'est nouveau ces dernières années),c'est de vouloir à tout prix montrer aux gens qu'on parle anglais. Je connais tellement de jeunes qui n'ont jamais maîtrisé d'abord la langue française et à la première occasion,sans rougir veulent absolument vous "épater" en parlant anglais.

A ma connaissance,il y a une rubrique créée par notre chère Elisabeth pour ceux qui veulent poster en anglais.Pas n'importe ou.

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Geek

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Haifa
et celui qui n'est pas content n'a qu'à ramasser ses affaires et foutre le camp.

Jadis, Haifa m'a "interdit" l'entrée au Maroc, parceque j'avais écrit un post (contre Hassan II, le roi de Tazmamart) qui lui avait déplu.

Aujourd'hui, Haifa m'invite à "foutre le camp" d'Israel, parceque j'exerce mon droit démocratique de critiquer la politique du gouvernement actuel d'Israel.

Brrrrrr.....Rien que de penser qu'un jour Haifa et ses acolytes détiendront une parcelle de pouvoir exécutif, ça donne froid dans le dos.

Mais rassurons-nous. Les Révolutions de monde arabo-musulman sont en train de balayer tous les Haifa et leurs acolytes.

Geek.

Venons-en maintenant à ces "révolutions arabes" en lesquelles tu fais confiance,en lesquelles tu sembles avoir de l'espoir. Sais-tu qu'il se joue actuellement au Maroc "une partie de billard" pour empêcher les islamistes "d'envahir" la scène politique et de provoquer un raz-de-marée..? Et puis oubies-tu que l'une des revendications de la rue arabe est justement de couper court à tout dialogue,normalisation ou paix avec Israel?

A la "révolution du jasmin" en Tunisie a succédée "la révolution de l'islam".Celui de l'an 624.
Pièces jointes:

Dear lison

Your opinion is above all yours. There is no accounting for taste. It’s a subjective matter.

Nonetheless, when you come to conclude with your attempt to exclude the role of Marouan’s father in his career development, your assumption becomes another issue. Here, I cannot agree more. Because, however musician his mother is, he still needs his father’s support. Generally, the failure of the implementation positively and the commitment of the father in the child development could affect or simply affects the career life of his son; and in some case, may be fatal in all its aspects. This is universally well-known....you know? So, your assumption with such level of likelihood is not enough supported to be an assertion.

On the other hand, Marouan is not an exceptional Moroccan. He could be an exceptional pianist, I hope so. That’s what we will see through his participation in this competition taking place in tel aviv.

Notice please that unlike most of the artists we have witnessed, he didn’t seek to convert his name into Maroune O’Abdellah, or Marouane McAbdellah, or something like that. You see wanna I mean? The fact of matter is that he conserves fully his name, as it was given to him. And that makes me establish the assumption with very high likelihood that his relationship with Morocco in general, and his father in particular, is as healthy as it has allowed him to grow in such environment with such an international talent.

Ah la Syrie..
Ce pays terroriste..
Ils n'ont pas de limites ces arabo-musulmans !

J'ai aimé : "O'Abdallah" et "McAbdallah".

Je propose pour Bendaoud: "Davidson", pour Abdeslam : "Peace'slave", pour Abdelghani: "Rich", pour Kaddour: "Powerful", pour Jamil: "Handsome", pour Bensaid : "Happyson"...

Les propositions sont attendues.

Citation
to-be-free
Dear lison

Your opinion is above all yours. There is no accounting for taste. It’s a subjective matter.

Nonetheless, when you come to conclude with your attempt to exclude the role of Marouan’s father in his career development, your assumption becomes another issue. Here, I cannot agree more. Because, however musician his mother is, he still needs his father’s support. Generally, the failure of the implementation positively and the commitment of the father in the child development could affect or simply affects the career life of his son; and in some case, may be fatal in all its aspects. This is universally well-known....you know? So, your assumption with such level of likelihood is not enough supported to be an assertion.

On the other hand, Marouan is not an exceptional Moroccan. He could be an exceptional pianist, I hope so. That’s what we will see through his participation in this competition taking place in tel aviv.

Notice please that unlike most of the artists we have witnessed, he didn’t seek to convert his name into Maroune O’Abdellah, or Marouane McAbdellah, or something like that. You see wanna I mean? The fact of matter is that he conserves fully his name, as it was given to him. And that makes me establish the assumption with very high likelihood that his relationship with Morocco


Tobefree

une fois le post envoyé, tout ce que tu soulèves m'est venue à l'esprit, et j'ai regretté de l'avoir envoyé. en fait ce matin, j'allais écrire une suite à mes rapides opinions. au moment de l'écriture, j'ai pensé à ma famille, ma mère n'aimait que le Classique, elle était prof de violon au concervatoire de Casablanca et donnait des leçons privées. et mon père, lui chantait des piyoutims le matin en se rasant. Les deux cultures sont belles, les deux ont contribué à notre éducation.

Je serais heureuse pour ce jeune homme de réussir dans cette discipline, en tant que représentant du Maroc je suis tres sincère.

Elisabeth

Une info qui va enrager nos ennemis.

Teva achète le Japonais Taiyo pour 460 M$
Le géant israélien des médicaments génériques Teva a fait l'acquisition de 57% des parts du groupe pharmaceutique japonais Taiyo pour 460 millions de dollars.

Les uns avancent, les autres s'entredéchirent et reculent et l'écart se creuse.

Cette info sur l'achat par Teva de 57% des actions de Taiyo fera un immense plaisir:

- aux 1,5 millions d'enfants israéliens qui vivent en dessous du seuil de pauvreté

- au 200.000 rescapés de le Shoah qui survivent en Israel sans pouvoir s'acheter des médicaments et de la bouffe

- aux 1,5 millions d'israéliens qui gagnent le salaire minimum de 3.800 shekels par mois, soit 730 euros pour 45 heures de travail hebdomadaire,
avec 15 jours de congés payés par an, et la retraite à 67 ans pour les hommes

- au 700.000 familles israéliennes dont les deux parents travaillent, mais qui ne pourront jamais s'acheter un petit logement

Les opérations bousières/spéculatives de Teva et des grandes sociétés capitalistes multinationales? On s'en fout!

Donc tu es pour le partage de la misère et pour la destruction de l'état juif.